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Do you want to change people’s minds about what theatre can be?

Inherited Cities, Crucible Studio 2018

Young Performers in Inherited Cities, performed at the Crucible Studio in 2018. Photographer Joseph Priestley

We are looking to recruit three new Trustees to the Third Angel board. No previous board experience is necessary, as training and support will be given where needed. What’s important is that Trustees can champion our values and bring different perspectives, skills and life experiences to our conversations and our work. 

We will be holding an open information session and Q&A on Zoom on Tuesday 18 January 2022 from 5 – 6pm for those who would like to know more.

We are committed to having a broad range of voices at the top of our organisation – different ages, different cultural and socio-economic backgrounds, D/deaf and disabled voices, LGBTQ+ voices to ensure that our strategic thinking and decision making remain creative, lively and balanced.

We are particularly interested to hear from:

  • Artists, particularly those with experience of making small scale theatre
  • Community leaders and advocates, particularly those with connections to Sharrow & Nether Edge (S7)
  • People with good financial management skills
  • Marketing, communications or public relations (PR) professionals
  • Entrepreneurs, self-starters and original thinkers
  • People involved in education & young people’s provision
  • Leaders or influencers in the arts sector

The Journeys at Theatre Deli Sheffield 2017

Edenamiuki Aiguobasinmwin and Zoe Katsilerou performing The Journeys at Migration Matters in 2017

Our values guide our decision making and how we operate and work with others. Third Angel is:

  • Innovative and experimental
  • Playful
  • Collaborative
  • Open and transparent
  • Trusting
  • Inclusive, accessible and anti-racist
  • Socially and environmentally responsible

Third Angel is a theatre company led by founding Artistic Directors Rachael Walton and Alexander Kelly. We make shows and participatory events that tell stories, ask questions and invite conversations. We aim to create collective experiences that reflect and interrogate the ways in which we live in the world that surrounds us, now and in the future. We believe everyone should be able to access the arts and are committed to trying to break down the barriers, whatever they may be.

Please contact [email protected] for more information about the role or an informal chat. 

Cape Wrath minibus 2013

Alexander Kelly with the Cape Wrath minibus Photographer Elliot Roberts

Monday, 3 January 2022

Crossing the Circle - new article

We are pleased to start 2022 with an update from Rob Fellman, our resident archivist and PhD candidate with the University of Sheffield! Over to Rob:

Their ‘web’ perhaps began as a Venn diagram of circles that cross together over time to form a singular, collaborative constellation that might be called ‘Third Angel’. As I write this, I realise I have been subconsciously informed by Kelly’s own use of the Venn diagram analogy in a previous Backpages article. I return to this point later and add the words: a process he calls ‘seeking the heart’.

This is an excerpt from an article published in Contemporary Theatre Review’s Backpages in September 2021. As the author of the article, I would describe it as a playful connection with Third Angel’s approach to research within their artistic practice. I am under no illusion that my own research residency with Third Angel is a testament to this very process, and indeed, places me firmly within their ‘Venn diagram’. This article, in part, represents this acknowledgement as I try to connect my own wider research with previously published texts on Third Angel’s working methods. I become unashamedly aware, in turn, of Third Angel’s influence on my own thinking. To what extent am I a neutral observer, and how much of my own view is also theirs? (Or should I say, ours?)

Image: The Earth in Full View, seen from Apollo 17. Credit: NASA.

This article is intended as a creative response to theory, that takes its inspiration from the words of Third Angel and two specific recurring images from within their oeuvre: the Voyager space probe travelling away from Earth, and the idea of the ‘perfect circle’ that our planet appears to be from such distances away…

The circle contains within it a web of connections, of ‘cross-transit’ by which ‘iterations’, or microcos- mic cycles, can form as ideas are tested, adapted, and then repeated (such as trying out an idea in rehearsal). Kelly’s co-artistic counterpart, Rachael Walton, told Philip Stanier of a moment during the making of 9 Billion Miles from Home that marked a processual shift away from factual content, marking ‘the start of a departure from an obsession with Voyager, away from science, towards [the question of] why Voyager was so interesting’. The circle, as opposed to a continuum, illustrates the degrees of academic and practical research in ratio (whether scientific or artistic in origin), like the points of a compass, by which a combination of the full spectrum of possibilities makes a complete – perfect – circle. 

Take a read of the article and see how these two things relate:
Crossing the Circle: A Response to the Role of Research in the Work of Third Angel
by Rob Fellman
in Backpages 31.3, Contemporary Theatre Review, 31:3, pages 364-379. (2021).

Rob Fellman is a Collaborative Doctoral Award holder with Third Angel theatre company and the University of Sheffield, UK. His research explores longevity in the UK arts sector and is supported by the White Rose College of Arts and Humanities.

We’re well into The Distraction Agents second run, and we’re labelling, stamping and posting as fast as we can, we thought we’d give everyone a little ‘making of’ time with Freya and Daphne, aka Rachael and Stacey. Over to them…


And don’t forget, you can still buy The Distraction Agents from this very website! And click before the 17th December, and you should even get it before Christmas. 


Shot and edited by Helen Varley, Digital Marketing Manager


We’re delighted to announce the appointment of our new Trainee Community Producer, Liliya! Liliya will be helping out with our participation work, including the Future Makers workshops which are now in full swing!

Liliya actually started a few weeks ago, so we’re handing over to her to introduce herself and tell us how it’s been going so far.

I first learned about Third Angel when I was nineteen and retaking my A-Levels, seeing promo for ‘The Department of Distractions’. Sadly, I couldn’t see the show due to school and other commitments, but the following year I was lucky enough to be offered a place on an ‘Introduction to Directing’ course created by the Regional Theatre Young Director Scheme and facilitated by Third Angel.

By that point, I knew that I wanted to pursue a career in the performing arts, and after the eight-week course, I felt a strong pull towards Third Angel as a company. I really admired how dedicated, ambitious and welcoming the team was. Now, almost three years on, I am really happy to be working on that team as the Trainee Community Producer!

Most of my creative past has been on stage. Acting is my deepest passion and I’ve been auditioning to drama schools for the past few years. My most memorable performance so far was playing Nora Helmer in a production of Henrik Ibsen’s A Doll’s House with the Lantern Theatre. I like to think I still have some of Nora’s individualism, awareness and boldness after embodying her. 

Recently, I performed with Walk with Amal with Sheffield Theatres which was such a joy to be a part of, and again so fulfilling to see so many people engaged with the performance and message of the event! Alongside performing, I love facilitating theatre in one way or another: from stage managing a production of Twelfth Night to creating costumes, I enjoy many different elements of theatre production.

Being Third Angel’s Trainee Community Producer is a real honour: I get to encourage other people to explore their creativity and passion through creating new work. Facilitating Future Makers has been so wholesome. We recently collaborated with The1Devotion (Dominic Heslop) for the rap and spoken word workshop, and seeing young people engaging so wholeheartedly with expressing themselves through spoken word was beautiful. I feel really lucky that I get to give what younger me would have loved to experience.

It’s difficult for me to accurately say what my realistic expectations are for this position, being a raging perfectionist! Some days it seems like I’m always thinking “I could have done x better” or “why didn’t I think to say y?” Or “I shouldn’t have done z in this way, what was I thinking?” But one thing I can say is that I’m really looking forward to how this environment fosters my confidence, self-belief and connection to the arts in a new perspective among a team which feels like home.Third Angel is a company which has highlighted to me just how performance arts are crucial to feeling connected to ourselves, to others and to wider issues in our communities.

Outside of Third Angel, I’m working with the Sheffield Theatre’s Young Company, getting music lessons in Yellow Arch Studios or going to acrobatic, yoga and dance classes amongst other creative, holistic and freeing endeavours. I’m excited to see where these six months take me! 

 


Win a copy of our limited edition challenge experience!

Following a successful first run of The Distraction Agents in the summer, we’re delighted to give you another chance to play. And to celebrate, we’re giving away three boxes for free!

The Department of Distractions, a clandestine organisation that claims its job is to plant stories in the world “to make life more interesting”, is on the search for new recruits… and they think YOU might be just what they need.

The Distraction Agents is a game, a puzzle, a challenge, and a story that can be enjoyed from home in your own time. The experience includes a mysterious box delivered to your door containing five tasks set by the Distraction Agents themselves. Immerse yourself in the world of this top secret organisation, follow the video instructions sent by your recruiter, and then complete the challenges to reveal the secret code and unlock your prize! Here’s a little taster…

This competition is open to UK residents only and as it is a free draw, it’s free to enter!

How to enter:

The competition opens on Wednesday 17th October (10am) when our first posts will go out on our social media channels. 

Enter on Twitter – Like and retweet any of our ‘competition’ posts. You get an entry for every retweet, so the more posts you retweet the more chances you’ll have!

Enter on Facebook – Like and comment on any of the ‘competition’ posts tagging someone who you think would like this experience. You’ll get an entry for each person you tag.

Enter on Instagram – Like and comment on any of the ‘competition’ posts tagging someone who loves puzzles, mysteries or board games (one tag per entry, so the more you tag, the higher your chance of winning). You can also get an extra entry if you share the post to your stories. Make sure you tag us @third_angel_uk or we won’t see your share!

How the winner is chosen:

There is one winner per platform. For each retweet/share/tag you receive one entry, each additional retweet/share/tag will earn you an additional entry. So the more you share, the higher your chance of winning!

The competition closes 8am on Wednesday 3rd November 2021. Any shares after this time will not be counted.

All the entries will be entered into draw and the winner will be picked at random. There will be a draw for each platform, so three chances to win!

We will contact the winner by direct message on the social media platform they entered on.

The prize:

The prize is a free copy of The Distraction Agents experience.

If you aren’t lucky enough to win the prize, you can still buy The Distraction Agents from early November, but you’ll need to be quick as we only have a limited number of boxes available.

Questions? Contact us at [email protected]

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